{"id":3158,"date":"2015-01-29T17:24:49","date_gmt":"2015-01-29T16:24:49","guid":{"rendered":"http:\/\/philippegoudard.net\/?page_id=3158"},"modified":"2017-10-31T17:21:28","modified_gmt":"2017-10-31T16:21:28","slug":"enseignements-universitaire-english","status":"publish","type":"page","link":"https:\/\/philippegoudard.net\/?page_id=3158","title":{"rendered":"Academic teaching"},"content":{"rendered":"

Philippe Goudard is Professeur in Performing Arts at the Paul Val\u00e9ry Montpellier University in France since 2006.<\/p>\n

Fields of research and teaching
\nCircus arts : history and actuality, imaginary and practices<\/em>
\n\u2013 Circus and other arts (cinema and new media, music, plastic arts, theatre, danse\u2026)
\n\u2013 Circus arts in the wolrd (actuality, history, similar arts and rituals)
\nPerforming arts<\/em>
\n\u2013 Performing arts and sciences (in particular cognitive science and technology)
\n\u2013 Practices in performing arts (playing, staging, production, formation)
\n\u2013 Circus-arts medicine<\/h6>\n
Supervised PhD ongoing<\/h6>\n
– Rafael Resende Marques da Silva (Br\u00e9sil), \u00ab The universality of the clown: a journey between Brazil and France \u00bb 2010\u00a0;<\/h6>\n
– Marisa Ribeiro Soares (Br\u00e9sil), \u00ab The clown, the being of the opposite \u00bb, co-tutelle Prof. Dr. Renato Ferracini (Instituto de Artes\/Departamento de Artes C\u00eanicas\/UNICAMP-Campinas, Brazil ) 2012\u00a0;<\/h6>\n
– Wei Liang (Chine), \u00ab Za Ji or the chinese acrobatics, a journey between China and France: forms, evolutions, perspectives \u00bb 2013\u00a0;<\/h6>\n
– Franziska Trapp (Allemagne), \u00ab Narrativity and the circus arts. Foundation of an esthetics of the New Circus?\u00bb, co-tutelle\u00a0Prof. Dr. Moritz Ba\u00dfler (Westf\u00e4lische Wilhelms-Universit\u00e4t M\u00fcnster) 2014;<\/h6>\n
– Charl\u00e8ne Dray (France) \u00ab The scientific process as process of artistic creation applied to the horse \/ Between arts and sciences, hybrid spaces where to write the alive \u00bb 2014\u00a0;<\/h6>\n
– Sebastian Belmar (Perou) \u00ab The circus at the crossroad of the scenic arts. A historic, dramaturgic and practical approach \u00bb , 2016<\/h6>\n
– L\u00e9a de Truchis de Varennes (France) \u00ab The dramaturgy in contemporary circus \u00bb 2017.<\/h6>\n
– Maddly Guillaume, PhD in medicine (France) \u00ab What is the experience lived for the patients presenting depressive symptoms after a Circassian cultural intervention? A pilot study \u00bb .Co-direction Dr Delphine Tchimbakala, Paris 13, and Dr Philippe Goudard. Montpellier 3, 2016.<\/h6>\n
Teaching for Master in research
\n\u2013 Direction of theatre-and-performing-arts research
\n\u2013 Course :
\nCircus and cinema : a fertile dialogue
\nArts and sciences
\nTraining seminars with search<\/h6>\n
Teaching for Master \u00ab\u00a0direction artistique de projet culturel\u00a0\u00bb
\n\u2013 Course : Circus arts : history and\u00a0 et actuality<\/h6>\n
Teaching for\u00a0 Bachelor \u00ab\u00a0arts du spectacle \/ th\u00e9\u00e2tre et spectacle vivant\u00a0\u00bb
\n– Course : circus histoiry and aesthetics
\n\u2013 Workshops : playing\u00a0 burlesque and clownery things, documentation, collokium organization, training course\u2026<\/h6>\n
Professional teaching in master artistic director of cultural project
\n\u2013 Course: Arts of the circus: history and topicality<\/h6>\n","protected":false},"excerpt":{"rendered":"

Philippe Goudard is Professeur in Performing Arts at the Paul Val\u00e9ry Montpellier University in France since 2006. Fields of research and teaching Circus arts : history and actuality, imaginary and practices \u2013 Circus and other arts (cinema and new media, … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-3158","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/philippegoudard.net\/index.php?rest_route=\/wp\/v2\/pages\/3158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippegoudard.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/philippegoudard.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/philippegoudard.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philippegoudard.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3158"}],"version-history":[{"count":10,"href":"https:\/\/philippegoudard.net\/index.php?rest_route=\/wp\/v2\/pages\/3158\/revisions"}],"predecessor-version":[{"id":3776,"href":"https:\/\/philippegoudard.net\/index.php?rest_route=\/wp\/v2\/pages\/3158\/revisions\/3776"}],"wp:attachment":[{"href":"https:\/\/philippegoudard.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}